Groovy Agers, I've been derelict of duty in bringing news of the latest issue of Paperback Fanatic--blame it on my recent move, from which I'm still unpacking. Then again, if you had a subscription (and you should!), you wouldn't need me to tell you.EIC Justin Marriott continues to make amazing use of both the format size and color. When I say he makes great use of color, I don't just mean he does a lot of color reproductions of awesome vintage paperback covers, though he certainly does that; he also colors select pages, as in this two-page spread:
That could be an easy thing to overdo, and Marriott doesn't. He uses it sparingly enough to keep it effective and add just a dash of visual interest. He also, per reader requests, has been adding vintage adverts, and the one he includes here is worth the price of admission all by itself (you really need to see it, and I don't want to spoil it for you--yes, there's actually an ad that could be spoiled!).Visuals aside, the content has always been and remains the real reason Paperback Fanatic is such a treasure. The central pillars of this issue are Marriott's own article about Robert E. Howard's Solomon Kane stories and the various editions in which they appeared down through the years (a timely piece, considering Jeff Jones's artwork on some of the latter), and also Ramsey Campbell's reminiscences about editing and completing a number of unfinished stories and fragments.
I think I most personally enjoyed Marriott's piece on the Sergeant Fury series. This paragraph certainly resonated with me:
I really struggled with this series, with Levinson applying what I would describe as the "McCurtin" (after Peter McCurtin) school of minimalism to his writing, meaning even the action scenes are dull and perfunctory. And despite being laced with colourful profanities, the dialogue is clunky and corny. I am really struggling to look for the positives with these and coming up short.Ah yes, I know the feeling well enough to have sworn off paperbacks altogether for a while, after too many awesome-looking series turned out to be such dreck.
On another personal note, it's a real point of pride for me to host probably the first and at-the-time only English-language site on the internet that covered not only the Italian fumetti, but also the German Groschenromane. Holger Haase, my buddy from Eurotrash Paradise, helped me get that off the ground, and then Andy Decker stepped up and did yeoman's work introducing us to this groovy format/medium. He reprises and summarizes much of that great stuff now in this issue of Fanatic, and yes it's worth reading even if you've read all his posts here.
There's plenty more I'll leave for you to discover, and I'd urge you to do so, if you have any interest in vintage paperbacks. Snatch this issue before it sells out (as almost all previous issues have done), then subscribe so you don't miss any more.